There are a total of 24 original tracks, and their quality is slightly checkered. Square Enix Recorded At: However, when going track by track, it's easy to pick out the songs that are well worth listening to by themselves. It's certainly a wide array of music, but I was still a little disappointed. Some of the arranged tracks really captivate, and they naturally stand out in the album. 
| Uploader: | Nikor |
| Date Added: | 16 December 2013 |
| File Size: | 31.77 Mb |
| Operating Systems: | Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/X |
| Downloads: | 86061 |
| Price: | Free* [*Free Regsitration Required] |
The staff does a good job at varying the musical selection of the arranged tracks.
It is the longest and probably most passionate track on the album. He presents complexity with wide range of emotion "-ending-" as well as simplicity with a single theme "Troops" and all in all produces a tailored cut for the soundtrack.
A track either comprises the best elements of its original, then takes it to the next level, or it is a pale comparison to its first-run self. However, Ishimoto does provide some stellar tracks befitting the 01 Fantasy experience and excels at conveying various sentiments that are expected for the title.
Final Fantasy XV: Bonus Disc – Special Music Collection Soundtrack
And of course there are plenty of grand scheme pieces that emphasize the crushing conflict of Good vs. The Dissidia soundtrack spans three discs and covers rearranged and original tracks from the franchise as well as Ishimoto's original pieces.
Dissiria reverse side of the limited edition 0112 features even more of Dissidia's cast. There are certain tracks that compel the listener back, but the album on the whole is too held down by blundered remakes that it prevents a good review for the entirety. There are edgy rock pieces like "Chaos Shrine" and "Battle 1" that deliver ripping guitars and intense drum beats, but then manage to incorporate strings and horns for that pragmatic feel only an orchestra can provide.
I could go into detail about the disappointment that many of these tracks hold, but I'll only highlight a few. There are tracks that grip me, but they're nestled between tracks that lack luster to set them apart — they have the right foundation, but nothing special to catapult them anywhere.
Some, like "Julia," should have toned down the background accompaniment and let the focus fall strictly on the piano in order to leave a more dramatic effect.
DISSIDIA [duodecim] 012 FINAL FANTASY Soundtrack
However, when going track by track, it's easy to pick out the songs that are well worth listening to by themselves. Certain songs fall short of their contemporaries on the soundtrack, and they don't have the lingering effect that is characteristic of other pieces.
I'm a sucker for piano music, and this track pulled on those preferences. The album's solid instrumentality in pieces like "Lux Concoriae," "The Threat," and "Final Resolve" is brought down by unexceptional tracks such as "Reform," "Heroes," and "Peace of Mind.
Time and again I found tracks that felt more compelling in their original format than they did rearranged. I was excited to listen to this soundtrack; not only is it a Final Fantasy work, but Takeharu Ishimoto composes all of the original pieces for the game and guides a team of arrangers to tackle tracks from games past.
March 2, Composed By: Square Enix Recorded At: It does an outstanding job at expressing the variety of feelings at the end blindwd a hard-fought victory; there is the sense of elation, regret, triumph, and loss, all composed beautifully while flowing in and out of each other.
It has an forceful feel and delivers notes at a fighting pace; it goes to show that all you need is some light percussion, a little complementary string, and a star piano to produce an epic effect.
Altogether, there are tracks that blindrd me off to battle, fighting alongside the likes of Zidane and Cloud and soaring to victory over the foiled plans of Chaos and his minions.
Some of the arranged tracks really captivate, and they naturally stand out in the album. Another track worth mentioning is the ending piece. There are a total of 24 original tracks, and their quality is slightly checkered.
Yet there is a good chunk of the album that lacks polish and begs for a more loving treatment. All told, Ishimoto delivers a decent selection of original pieces. I found the mixed quality to be distracting in my first listen-through, but I also felt the album had enough strong pillars that it was worth listening to again. I greatly enjoyed the wide range those two soundtracks offer, and they show how versatile Ishimoto can be.
There's not too much in between — some have heart and disssidia seem half-baked.
DISSIDIA (Duodecim) FINAL FANTASY [Original Soundtrack] by Square Enix Music on Apple Music
I especially enjoyed "Canto Mortis" and "Cantata Mortis," which are absolutely remarkable; intense, dark, Latin pieces that really seal the deal in conveying the conflict between Good and Evil. Whereas some don't have enough flavor to set them apart, he definitely shines when needed and shows the skill that got him this project.
For instance, "Into the Darkness" is a dark waltz with a hauntingly ominous tone and such an eerie effect that it can't help but surpass its original.
No comments:
Post a Comment